Cultural Entrepreneurship and Creative Economy: The Galpao Group Theater Company
DOI:
10.14211/regepe.v9i2.1576Keywords:
Cultural entrepreneurship. Creative economy. Shed Group. I encourage the culture. Rouanet LawAbstract
Purpose: To analyze and describe cultural entrepreneurship in the context of the creative economy, according to the perception of the Galpão Group, based in the city of Belo Horizonte / MG.
Methodology: Descriptive research, qualitative approach through case study. The unit of analysis was cultural entrepreneurship and the unit of observation the Galpão Theater Group. Data collection was through semi-structured interview and analysis by categorical content analysis technique.
Results: The group revealed broad knowledge about the subject, whose main challenges are the difficulty of planning the events in the medium and long term and the difficulty of generating revenue exclusively by the participating public. It was identified that the creation and maintenance of the Cultural Center has contributed to several projects of access to the culture of interest to society, where the Rouanet Law has been playing a relevant role.
Theoretical contributions: It contributes to the expansion of knowledge of studies related to cultural entrepreneurship, emphasizing the creative economy, whose researches are moving towards achieving soundness from the scientific point of view
Relevance/originality: It mainly contemplates the academic and social contexts, in order to broaden the studies directed to cultural entrepreneurship and its originality is centered on the research of a prominent theater company in Brazil, focusing on cultural entrepreneurship in the economy dimension creative.Social contributions/management: Encourages the development of a more egalitarian society in relation to the entrepreneurial spirit, through cultural dissemination, focusing on the principles of creative economy and entrepreneurial management.
Downloads
References
Akyol, E. M. (2016). A discussion about personal characteristics of entrepreneurs in the context of culture’s impact. Business & Management Studies: An International Journal, v. 4, n. 1, pp. 63-83. DOI: https://doi.org/10.15295/bmij.v4i1.133
Almeida, F. M., Valadares, J., & Sediyama, G. (2017). A contribuição do empreendedorismo para o crescimento econômico dos estados Brasileiros. REGEPE-Revista de Empreendedorismo e Gestão de Pequenas Empresas, v. 6, n. 3, pp. 466-494. DOI: https://doi.org/10.14211/regepe.v6i3.552
(FGV). Fundação Getúlio Vargas (2018). Impactos Econômicos da Lei Rouanet. Brasília, DF: Autor.
Bardin, L. (2011). Análise de conteúdo. Edições 70. Lisboa. Portugal.
Brasil (2019a). Ministério da Cidadania. Diário Oficial da União. Instrução normativa nº 2, de 23 de abril de 2019. Brasília, DF: Autor.
Brasil (2019b). Ministério da Cidadania. Secretária especial da Cultura. Lei de à incentivo. Brasília, DF: Autor.
Brasil (2018). Ministério da cultura. Guia do empreendedor sociocultural: reflexões orientações, metodologias e práticas para amparar o desenho e a gestão de projetos socioculturais sustentáveis. Editoria do Blog Sociocultural em Rede.
Brasil (1991). Presidência da República, Casa Civil. Lei nº 8.313, de 23 de dezembro de 1991. Brasília, DF: Autor.
Bujor, A., & Avasilcai, S. (2016). The Creative Entrepreneur: A Framework of Analysis. Procedia - Social and Behavioral Sciences, v. 221, pp. 21-28. DOI: https://doi.org/10.1016/j.sbspro.2016.05.086
Chang, W. J., & Wyszomirski, M. (2015). What is arts entrepreneurship? Tracking the development of its definition in scholarly journals. Artivate: a Journal of Entrepreneurship in the Arts, v. 4, n. 2, pp. 11-31. DOI: https://doi.org/10.1353/artv.2015.0010
Collis, J., & Hussey, R. (2005). Pesquisa em administração: um guia prático para alunos de graduação e pós-graduação. Bookman.
Davel, E., & Cora, M. A. J. (2016). Empreendedorismo cultural: cultura como discurso, criação e consumo simbólico. Políticas Culturais em Revista, v. 9, n. 1, pp. 363-397. DOI: https://doi.org/10.9771/pcr.v9i1.10035
Dolabela, F. (2003). Empreendedorismo, uma forma de ser: Sabe o que são empreendedores individuais empreendedores coletivos. AED.
Dolabela, F., & Filion, L. J. (2013). Fazendo revolução no Brasil: a introdução da pedagogia empreendedora nos estágios iniciais da educação. REGEPE-Revista de Empreendedorismo e Gestão de Pequenas Empresas, v. 2, n. 3, pp. 134-181. DOI: https://doi.org/10.14211/regepe.v2i3.137
Dornelas, J. C. A. (2015). Empreendedorismo: transformando ideias em negócios. Empreende.
Dornelas, J. C. A. (2000). Empreendedorismo para visionários: desenvolvendo negócios inovadores para um mundo em transformação. Grupo Gen-LTC.
Filion, L. J. (2011). Defining the entrepreneur. World Encyclopedia of Entrepreneurship, 41. DOI: https://doi.org/10.4337/9781849808453.00011
Firjan. Federação das Indústrias do Estado do Rio de Janeiro (2016). Diagnósticos e mapeamentos setoriais: mapeamento da indústria criativa no Brasil. Rio de Janeiro: Autor.
Gehman,J., & Soublière, J F. (2017). Cultural entrepreneurship: from making culture to cultural making. Innovation: Organization & Management : IOM. v. 19, n.1, pp. 61-73. DOI: https://doi.org/10.1080/14479338.2016.1268521
GEM. Global Entrepreneurship Monitor (2017). Empreendedorismo no Brasil 2016. Curitiba: IBQP, pp. 1-208.
Greffe, X. (2016). Conclusion: The Artist-Enterprise in a Creative Economy. In: The Artist–Enterprise in the Digital Age, pp. 199-200. Springer, Tokyo. DOI: https://doi.org/10.1007/978-4-431-55969-6_11
Martinez, J. M. C. (2007). Una Visión Dinámica Sobre El Empreendedurismo Colectivo. Revista de Negócios, v. 9, n. 2.
Minas Gerais. (2019). Secretaria de Estado de Cultura. Comissão Partidária de Fomento ao Incentivo à Cultura. Belo Horizonte, MG: Autor.
Muzzio, H., & de Paiva Júnior, F. G. (2015). A pertinência de adequação da gestão criativa à identidade do indivíduo criativo. Contextus–Revista Contemporânea de Economia e Gestão, v. 13, n. 3, pp. 139-155. DOI: https://doi.org/10.19094/contextus.v13i3.711
Obschonka, M., Stuetzer, M., Gosling, S. D., Rentfrow, P. J., Lamb, M. E., Potter, J., & Audretsch, D. B. (2015). Entrepreneurial regions: do macro-psychological cultural characteristics of regions help solve the “knowledge paradox” of economics?. PloS One, v. 10, n. 6. DOI: https://doi.org/10.1371/journal.pone.0129332
Olivieri, C. G. (2015). Cultura neoliberal: Leis de incentivo como política pública de cultura. São Paulo: Escritura Editora e Distribuidora de Livros Ltda.
Oliveira, A. G. M, & Melo, M. C. D. O. L. (2015). Creative economy: Mental models of cultural entrepreneurs in Belo Horizonte, Brazil. The International Journal of Management Science and Information Technology (IJMSIT), n. 15, pp. 94-113.
Qian, H., & Liu, S. (2018). Cultural entrepreneurship in US cities. Journal of Urban Affairs, v. 40, n. 8, pp. 1043-1065. DOI: https://doi.org/10.1080/07352166.2018.1468223
Rômulo, A., & Pelúcio, F. (2014). Do Grupo Galpão ao Galpão Cine Horto: uma experiência de gestão cultural. Belo horizonte, Edições CMT.
Sardana, D. (2018). What Facilitates Cultural Entrepreneurship? A Study of Indian Cultural Entrepreneurs. The Journal of Creative Behavior, v. 52, n. 1, pp. 35-51. DOI: https://doi.org/10.1002/jocb.131
Sebrae. Serviço Brasileiro de Apoio às Micro e Pequenas. (2016). Economia criativa. São Paulo, SP: Autor.
Schaefer, R., & Minello, I. F. (2017). Mentalidade empreendedora: o modo de pensar do indivíduo empreendedor. Revista de Empreendedorismo e Gestão de Pequenas Empresas, v. 6, n. 3, pp. 495-524. DOI: https://doi.org/10.14211/regepe.v6i3.422
Toghraee, M. T., & Monjezi, M. (2017). Introduction to Cultural Entrepreneurship: cultural Entrepreneurship in developing countries. International Review of Management and Marketing, v. 7, n. 4, pp. 67-73.
Unctad. United Nations Conference on Trade and Development (2018). Creative economy Outlook Trends in international trade in creative industries 2002-2015. Country profiles 2005–2014. Unctad Ditc /Ted. Genebra, Suíça.
Unesco. United Nations Educational Scientific and Cultural (2018). Organization Relshaping cultural policies: advancing creativity for development – 2005. Convention Global Report. Place de Fontenoy, 75352. Paris, França.
Downloads
Published
Métricas
Visualizações do artigo: 828 PDF (Português (Brasil)) downloads: 397 PDF downloads: 193
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
-
The author(s) authorize the publication of the text in the journal;
-
The journal is not responsible for the opinions, ideas, and concepts expressed in the texts, as they are the sole responsibility of their authors;
-
Authors retain copyright and grant the journal the right of first publication, with the work published under the CC BY 4.0
License, which allows sharing the work with acknowledgment of authorship and initial publication in this journal; -
Authors are allowed and encouraged to post their work (Submitted version, Accepted version [Manuscript accepted by the author], or Published version [Record version]) online, for example in institutional repositories or preprints, as it can lead to productive exchanges as well as earlier and greater citation of published work. REGEPE requires that authors indicate/link the published article with DOI. See the Effect of Open Access.
